Expressing Gratitude...
THANK YOU TO...
... Mary Beth Benken-Riesenberg, Laureen Catlin, Mary Stan Fizer, Gail Rudolph, and Gaylene May Schumacher, who put second coats on a few items, painted the holder for the large fire extinguisher in the kitchen and did some touch up painting near the new wall of plaques.
Gail spent quite a while gathering props for Puffs from the inventory on the second floor and a few members of the Paint Team were able to lend a hand.
McPost is featuring a very special series throughout 2023. 50 Stories For 50 Years, as it is called, cannot be successful without your contribution. The goal is to have 50 different people share a personal story of an experience with MCP. The story is yours to tell. It can be a tale of the first time you came to the group, your favorite moment on stage, your funniest experience, your most heart-warming encounter. It can be from on stage, back stage, at a meeting, at a gathering. It can be from 50 years ago or from yesterday. The sky's the limit with the exception that nothing will be published that is hurtful to any member past or present (stories can be funny without causing pain), or that does not keep cursing to a minimum (we are online, folks). The stories will not be published in chronological order, but in the order in which they are submitted. Do not make Laureen or Robert have to write the next story! Get ready, get set, write! Submit your MCP story via this e-mail!
I'm Flying
By Becca McLaughlin
On July 26-28, 1984 MCP presented Fiddler on the Roof as the summer musical. I love this show, and I desperately wanted to try out, but even then I knew that learning lines was not my forte. However, I decided to give it a try and be a part of the chorus, maybe, have a line or 2. Tom Fox was the director. I knew him from The Miracle Worker. To my amazement, I was asked if I would like to be Fruma Sara, Lazar Wolf’s dead wife in the smoky, dreary dream sequence.
Oh, YES! I don’t remember, unfortunately, all of the details, the where and when of things, but I remember how I felt … very nervous, and excited!!!! Someone told me that Linda Geering, someone I had never met, was creating the costume and make up and I was assured it would be incredible.
I started analyzing Fruma Sarah. She really needed to fly instead of being pushed all over the stage as I had seen before. We were all young enough to think that was a “good” idea. So I set to work to find out how to create a flying contraption. At the time, I was married, and my husband, Brad, was in construction. He figured out and designed how to rig a wire system which extended across the stage, as far up as it could go. I set out to find some kind of a harness to lift her from the floor and to hold her. I made many phone calls, parachute harness, similar kinds for other “harness using” equipment. Then, one of the very knowing people I spoke to suggested an ice diving harness, it would have the strength and the design to do what I needed. The next step was to locate one which happened quite quickly. A flying Fruma Sara was destined to be.
I took the harness, we attached her wonderful dress, Linda applied white and red make up, white gloves provided arm bones, and skeletal long red nailed hands, her wig topped it off, What a character. The costume now was ready, a long, long ragged dress with long pearls, a made up face, straggly hair, gloved hands, all over an ice diving harness that connected to the wires. She hid behind a tombstone! Ernie Rowland was on stage left, Frank Harpen on stage right standing up on ladder rungs, and when the music hit the cue, they jumped and she flew singing her song. They pulled the wire back and forth and Fruma Sarah FLEW! What an adventure!
This newsletter will be sent to you each Sunday evening. It is the hope of the leadership of MCP that this will be an easy communication for you to refer to throughout that week and that you will not have as many messages from the group in your inbox over the course of the week. You can always reach out to us at any time with suggestions.
The Mason Community Post is edited by Laureen Catlin with support from Assistant Editor Robert Terry and IT Technician Phil Catlin.